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docs for sale IDFA 2022

5 Minutes Too Late

5 Minute
written and directed by Dan Chișu
fiction / drama
2019
Romania
106 min
Romanian language
Tags
  • LGBT
  • media
  • investigation
  • TV
  • mystery
  • conservatism
  • incident
  • activism
  • injury
  • family
  • father-son
  • father-daughter
  • journalist
  • sympathy
  • human rights
  • juvenile
  • coming-of-age
  • post-Soviet space
Festivals and Awards
  • Albania Balkan Film Food Festival 2022 Best Film Award
  • Israel Romanian Film Week 2022
  • Estonia Festheart LGBT+ FF 2020
  • USA QFest The Houston LGBTQ IFF 2020 (Feature Films) The Houston Film Critics' Society's Award for Best Picture
  • Poland Warsaw IFF 2019 (International Competition) World Premiere
Synopsis

The destiny of the man who led the gendarme team into action after a LGBT film screening in Bucharest got interrupted violently by a group of radicals, revealed through an investigation by Liliana Calomfir, a young journalist known for her unusually daring reporting.

Cast
Mihai Călin
Diana Cavallioti
Elvira Deatcu
Emanuel Pârvu
Ana Radu
Adrian Titieni
Crew
director of photography Adrian Silișteanu
editor Letiția Ștefănescu
sound Marius Leftărache
art director Gina Călin
visual effects Olga Avramov
casting director Florentina Bratfanof
costume designer Adina Bucur
make up artist Dana Roșeanu
hair styiling Manuela Simionescu
producer Anamaria Antoci
production by DOMESTIC FILM
Long sinopsis

A cinema in Bucharest screened a controversial film about two lesbians who form a couple. Minutes into the film, a few members of the audience stood up, vehemently opposing the gay community. The press accused the Gendarmerie for not intervening to end the conflict. The film focuses on the destiny of the man who led the gendarme team, Nicu Holban, in the action at the museum, through an investigation by Liliana Calomfir, a young journalist known for her unusually daring reporting.

Notes from the director

The story of the film was born out of the intention to delve into concepts such as “truth”, “objectivity” and even “quest”. What are the starting points of our dayto- day quests? On the other hand, what are our ending points and how much truth is there in our perpetual desire to find meanings/motivations for our actions and the acts of those around us?

As far as style is concerned, the subject will be treated realistically, as the purpose is for the watcher to witness each character’s quest as objectively as possible. The suspense of the audience coincides with the suspense of the characters, who cannot foresee the end of their own journeys. After his daughter runs away from home because she cannot get over her father’s intolerance, Nicu Holban (50) doesn’t know whether his family’s apparent breakup is permanent or something can still be done to re-establish the initial balance. Similarly, though journalist Liliana Calomfir (28) embarks on a report whose success with the audience seems guaranteed, she reaches a point where she no longer sees the point of her efforts.

Downloads
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